Hampshire Archaeology

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Hampshire excavations # 1

An occasional series covering Hampshire archaeological digs, large and small

Houghton Down, Stockbridge; 1922, 1994, 1997.

Was this both a Roman villa and an Iron Age farm? A dig in 1922 by E A Rawlence, a Salisbury surveyor, found a substantial Roman aisled building containing a bath house. The excavated baths were covered by a shed until the 1930s. Rubbish accumulated, including a dead pig and barbed wire, and the hollows were eventually filled in. Later, aerial photographs showed circular buildings, storage pits, and fenced and ditched fields in the immediate vicinity.

Excavations by Professor Barry Cunliffe and his team in 1994 and 1997 for the Danebury Environs Project showed that, yes, it had been occupied, not quite continuously, between 700 BC and the 4th century AD. Generations of farmers extended the fields, pastures and ditches, dug wells, buried their dead, and built furnaces for metal-working and corn-drying ovens. The main activity took place in the 1st and 2nd centuries AD, when there may have been more than one family in residence. By about the year 200, the main buildings were in masonry rather than timber, and included the aisled hall and a narrow building, also used for living and eating in. The farm had expanded from a modest to a prosperous state.

The aisled building, 27.2m long by 13.6m wide, had been carefully constructed and was a substantial structure that would have been visible for miles around. It had a chalk floor, full-height flint walls on greensand corner foundations, a central nave and light from a timbered clerestory. The roof, supported on 14 stone and timber piers, was made of hexagonal Purbeck stone tiles. In the south wall (and probably also in the north) there was a large door opening – over 2m wide.

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The bath suite at the western end of the aisled building; the abandoned ‘cold plunge’ is at the top of the picture, the replacement to the right.

By the late 3rd century the building had been subdivided by timber partitions. It had a large oven inside. It was evidently now the main working area of a moderately prosperous farm. It also had a large bath suite retrofitted into the northwest corner. A cold plunge pool was started outside the building, but abandoned after only a day’s work! Making a breach in the gable end wall had caused serious structural damage, and so the design was hastily changed and the plunge pool moved to the north side instead of the west – but still outside the main rooms!

A new strip building then enlarged the farm’s living accommodation. Beer was brewed from surplus corn. But there was still little in the way of fine, non-local pottery or decorative ornaments. By the end of its life, in the middle of the 4th century, the building housed a smithy and piles of building material for recycling.

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Infant burial F295, discovered inside the aisled hall

The dig unearthed 13 burials. Two were Roman cremations, two were adults buried close together in the old western enclosure ditch, and nine were infants, buried, here as elsewhere in Roman Britain, under the floors of the Roman buildings.

Houghton Down archives A1994.35 & A1997.55 are in the care of Hampshire Cultural Trust

Further Reading:

The Danebury Environs Programme: The Prehistory of a Wessex Landscape, Vol 2 Part 6: Houghton Down, Stockbridge, Hants, 1994, by Barry Cunliffe and Cynthia Poole. English Heritage and OUCA Mono 49, 2000.

And Vol 2 Part 1: Houghton Down, Longstock, Hants,1997, Mono 71, 2008.

Series by: Anne Aldis, Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone

 

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Buried in time – a Roman amphitheatre

At the southern entrance to the amphitheatre

At the southern entrance to the amphitheatre

The best surviving and most upstanding Roman remains in the north of Hampshire are the walls surrounding Calleva Atrebatum (Silchester), a civitas capital.  Just outside them, at the northeast corner, stands the oval form of the town’s amphitheatre.  It escaped examination a century ago, when much of the site was sampled as it did not lie within the Wellington Estate.  It was only when it was taken into Guardianship in 1979 that a programme of seven years excavation took place, led by Mike Fulford of Reading University, at the request of the former Inspectorate of Ancient Monuments.

 

Ian Stewart, Inspector of Ancient Monuments, Michael Hughes, County Archaeologist, and Mike Fulford inspect progress during the dig.

Ian Stewart, Inspector of Ancient Monuments, Michael Hughes, County Archaeologist, and Mike Fulford inspect progress during the dig.

British amphitheatres tend to be smaller than those found on the Continent and generally have three characteristics in common: they are always outside town walls, are variable in orientation to street grids or defences and consist of local material that supports the cavea (seating) with no record of purely masonry support.  The amphitheatre at Silchester displays all these characteristics.

The first timber phase at Silchester was constructed to a circular plan probably between about AD 55-75 on land that had been in prior use, as evidenced by two substantial ditches, which it truncated, and by a pottery-making site beneath the western seating bank from which coarse-ware wasters were found among pre-Flavian finds.

Plan of the amphitheatre at the 'First Stone-built phase'.

Plan of the amphitheatre at the stone-built phase.

Seating was not free-standing and was supported on material excavated from the site. The overall capacity is estimated to have been about 3600 to 3700 although if spectators stood on wide terraces more than 7000 may have been accommodated.

The second timber phase, difficult to date but perhaps of the mid -2nd century AD when masonry was the preferred building material, did not fundamentally change these arrangements. The original entrance layouts were retained and it seems very likely that there was no disturbance to the recesses on the east-west axis but efforts were focused on adapting the arena plan to give it an oval shape.

Another view in through the south entrance.

Another view in through the south entrance.

The arena wall of the second timber phase was replaced in the 3rd century by one of stone which consisted mostly of flint with some use of greensand and sarsen. Flint was also the preferred material used in the re-construction of the passage walls, while brown ironstone was used in the refurbishment of the arena surface. The dimensions of the arena were slightly increased to about 45.5 by 39.m with its oval shape unchanged. It has been found difficult to date the stone re-construction phase although a plausible suggestion is the time of arrival in Britain of Septimius Severus in 208 AD. Such an event may well have justified the considerable expenditure incurred – estimated to be comparable with the cost of the original construction.

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The arena at Pompeii with its posh front seats, separated by a moat. Vesuvius broods in the background.

The amphitheatre at Pompeii - Vesuvius broods in the background.

The amphitheatre at Pompeii – here we go!

About the time that the Silchester  amphitheatre was being constructed, the monument at Pompeii on the Bay of Naples was being overwhelmed by the eruption of Vesuvius.  This froze in time an arena which had been built 150 years before, when the name given to them was ‘Spectacula’. The term amphitheatre (‘double theatre’) came later.  The Pompeii seating could accommodate over 2000 in the best seats (separated by a deep moat from those behind!) and about 25000 overall, more than six times Silchester.  There were also special boxes on the top tier for ladies – as Augustus thought it wrong for them be too near the action…and action there certainly was.  Supporters at a gladiatorial show in AD 59 got out of hand and a riot took place between the Pompeiians and visiting Nucerians.  This resulted in a 10-year ban for such shows at Pompeii, and exile for those who had staged it.

The remains at Pozzuoli

The remains at Pozzuoli

If Pompeii had not been buried in ash and lava, the amphitheatre would almost certainly have been improved, with the provision of an under-floor level, as at nearby Pozzuoli.

Positive evidence for the use of the Silchester amphitheatre is too sparse to draw any firm conclusions. Animal remains, predominantly horse, were retrieved from all three construction phases and it may be that there were equestrian displays, possibly animal hunts (venationes) or even beast fights. There is no evidence of gladiatorial contests and Nemesea, serving some religious purpose, seems to be the most acceptable explanation for the recesses on the east-west axis.

It is quite likely that the amphitheatre fell into disuse and eventual abandonment sometime in the mid – 4th century as evidenced by the finding of two coins of that period. It has also been suggested that the robbing-out of the stone wall could have occurred not much later, although the construction of the parish church of St. Mary 1125-1250 AD may be a more probable cause.

There is as yet no evidence that the amphitheatre may have been used in the post-Roman period until at least the 11th century when a single-aisled hall was built and a number of pits were dug within it. Pottery finds indicate a short period of occupation and the other contemporary structural changes do not preclude the use of the site as a castle during the ‘Anarchy’ of the reign of King Stephen (1135-54).

Thereafter from the 15th century until the 1970s the arena served as a yard for a nearby farm with late-17th to early 18th century pottery, glass and building material from the south entrance vicinity indicating the presence of a long-vanished cottage.

The amphitheatre has an evocative atmosphere and is well worth the short walk from the Church should you be visiting Silchester Roman Town.

References:

Fulford, M (1989) The Silchester Amphitheatre, Excavations of 1979-85.  Britannia Monograph Series No. 10.

 Archive; A1980.65 held by Hampshire Cultural Trust

Series by: Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone

To the arena and the baying crowd...

To the arena and the baying crowd…

Shooting Cupid

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This late Roman gold finger-ring was found at Tangley, north of  Andover, two years ago, by Ashley Duke.  It qualified as ‘treasure’ under the definition of the Treasure Act and the Portable Antiquities Scheme oversaw its recording, valuation and publication (2014 T12).

It was acquired by the Hampshire Cultural Trust and the opportunity to display it coincided with the publication of the ring, firstly in an academic article in the journal Britannia, and secondly in a wide range of media outlets, as the beautifully cut intaglio, depicting a rather languid and impious looking Cupid, caught the imagination.

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The nicolo intaglio (onyx with a blue surface and a dark heart) shows a winged, naked Cupid, leaning on a short spiral column. He holds aloft a flaming torch, which he will later use to burn Psyche in her guise as a butterfly.

Parallels for the ring are noted in the National Museum in Vienna, and closer to home, in one of the rings in the Silchester hoard, featured here just a few weeks ago.

Shooting Cupid: the Advertiser photographer homes in on Ashley Duke and his Tangley find.

Shooting Cupid: the Advertiser photographer homes in on Ashley Duke and his Tangley find.

The Trust invited Ashley Duke to be present at the ‘unveiling’ of his find at Andover Museum, and the Andover Advertiser was there to record the scene.

It has to be said that the valuation of such finds is not an easy task, is in the hands of an independent committee (museums are not directly involved) and is open to appeal.  At the end of the day the addition of the Tangley ring to the Andover displays will ensure that it will be viewed and enjoyed by many.

A2015.69

Further reading:

Sally Worrell and John Pearce (2015). II. Finds Reported under the Portable Antiquities Scheme. Britannia, 46, pp 355-381

Photos: Katie Hinds, Portable Antiquities Scheme; Dave Allen

Series by Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone.

 

 

Buried in time – the Silchester hoard of rings and things.

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Silchester's surviving walls - a dramatic reminder of this Iron Age oppidum and Roman town.

Silchester’s surviving walls – a dramatic reminder of this Iron Age oppidum and Roman town.

Just to the southwest of the walled Roman town of Silchester is a late Iron Age earthwork. In 1985, for the first time in many years, the adjacent area was ploughed. Searching by a metal detectorist unearthed an elaborate and flamboyant gold finger-ring with strands of beaded gold wire forming a filigree hoop and a large engraved gem (intaglio). Such rings generally date to the last few decades of the Roman period in Britain and were widespread throughout the Roman Empire. The intaglio consists of onyx engraved with a satyr and a small cupid. Four late Roman silver coins were found nearby.

The coin hoard

The coin hoard

During the winter of 1986-7 further finds were detected nearby and coin finds reached 55 in total. Although the exact locations were not reported, a visit to the site by an archaeologist revealed a limited area of disturbance and it is thought likely that both sets of discoveries derive from a single hoard. A subsequent small excavation exposed no further late Roman material and no associated features.  This suggests that the collection was lost or hidden and is most likely to have been a ‘flight’ hoard.

One of the better-preserved coins, showing the Emperor Gratian (367 - 383)

One of the better-preserved coins, showing the Emperor Gratian (367 – 383)

Of the 55 coins, all but three were heavily corroded, broken silver examples of the late 4th century AD. At least 13 of them had been ‘clipped’, a practice dated to the reign of Constantine II (407-11 AD). Four additional rings were found, two complete gold examples and two fragmentary, one of which was silver. Because of potential plough damage it is impossible to tell whether the incomplete and broken rings were part of a jeweller’s hoard or were damaged after their concealment.

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Gold ring dismantled for cleaning and conservation. The glass intaglio is decorated with a satyr carrying a hare and a pedum or staff.

Gold ring dismantled for cleaning and conservation. The glass intaglio is decorated with a satyr carrying a hare and a pedum or staff.

One of the complete gold rings has a raised bezel set with a glass gem in imitation of onyx, cast with the device of a satyr carrying a hare. This ring is large and heavy; the other complete but distorted gold ring is much slighter, set with a re-used glass bead. Only very fragmentary and mineralised remains of the silver ring survived. This had also been set with an imitation onyx cast glass gem, decorated with the image of a seated bearded man reading from a scroll, interpreted as a philosopher.

Fragments from a gold ring and the gem from a silver ring which had almost totally disintegrated. The subject is a bearded man sitting on a three-legged stool - a philosopher.

Fragments from a gold ring and the gem from a silver ring which had almost totally disintegrated. The subject is a bearded man sitting on a three-legged stool – a philosopher.

Some of the items mentioned here are on display at the Willis Museum in Basingstoke. The Silchester hoard, though smaller in size, can be compared through its composition to the late Romano-British Thetford Hoard, discovered in 1979 in Norfolk. Two rings from Thetford are similar to the Silchester gold ring with the glass bead; a satyr appears on a gold buckle-plate from Thetford.

References:

N1997.20 – archive held by Hampshire Cultural Trust

M.G. Fulford, M. Henig and C. Johns, A Late Roman Gold Finger-Ring  from Silchester, Hampshire, Britannia Vol. XVIII, 1987, pp.279-281.

M.G. Fulford, A.Burnett, and C. Johns, A Hoard of Late Roman Rings and Silver Coins from Silchester, Hampshire, Britannia Vol. XX, 1989, pp.219-228.

Series by Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone

Object photographs by Claire Woodhead.

 

Buried in time – the Hamble hoard

On 29 March, 1968, a bulldozer levelling a playing field near College Copse, Hamble, unearthed a hoard of Roman coins and the remains of the pot in which they had been buried. Some confusion followed regarding ownership but it was eventually decided that they belonged to the landowners, Hamble-le-Rice Parish Council, who had commissioned the landscaping works.

'Eyes right' - well, almost all. Sixty-four coins from the Hamble hoard.

‘Eyes right’ – well, almost all of them. Sixty-four coins from the Hamble hoard.

The coins went first to the Hampshire Museums Service and then to the British Museum, to be identified. A list of the hoard contents was published and the British Museum also purchased about 200 coins for their own collections. Hamble Parish Council retained 90 coins for display purposes. The remaining 2,190 were deposited with the Hampshire Museums Service, initially as a loan, but in 1997 the loan was changed to a gift and the coins accessioned as N1997.47.

In more recent years a selection of thirty representative coins has been remounted in a frame for display in Hamble.

A total of 2,494 coins have been accounted for, but it is possible that the hoard was originally larger. The majority (2,192) belong to the period 330 to 335.  Only fourteen coins are older than this but 267 are younger, with the latest dating to 348-350. A burial date of around 350 therefore seems likely.  A small number of coins (21) were not from official mints, but were ‘barbarous copies’ – contemporary forgeries! Such practices were rife in Roman times.

Large hoards of this date are quite common in Britain and Gaul and may relate to reforms in the coinage which took place in 348. Equally, the idea that they were buried as an offering to the gods should not be discounted.

Heads

Heads

The earliest coin in the hoard was issued by Claudius II (268-270). All the other coins belong to the 4th century and most were issued by Constantine I (‘the Great’) and his dynastic companions, including two imperial women, Helena and Theodora. Other well-represented coins include those struck to mark the dedication of Constantinople (Istanbul) as new capital of the Eastern Empire and to placate Rome, the old capital – both showing helmeted busts – personifications of the two cities.

...and tails

…and tails

By the 4th century, coins were being made at many imperial mints around the Empire and these are identified by mint marks. Most of the Hamble coins were manufactured close to Britain (London ceased production in 326) at Trier, Arles and Lyon, but there are also examples from numerous other sites including Nicomedia, Cyzicus and Antioch, showing just how far money travelled.

Hamble hoard mint map.

Hamble hoard mint map.

Further reading:

Recent Coin Hoards from Roman Britain Vol 1, British Museum, 1979; The Hamble and Chorleywood Hoards and the Gallic Coinage of AD 330-335

N1997.47            Archive held by Hampshire Cultural Trust

Series by Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone.

Buried in time – a Romano-British bathhouse at Braishfield

Some 45 years ago a dense scatter of Roman objects was found after ploughing at a previously undisturbed site to the north of Pucknall Farm, Braishfield. The discoveries led to three seasons of excavation, from 1975 onwards. A flint masonry bathhouse was revealed, dated to the late 3rd or very early 4th century AD. It had apparently been demolished within 50 years of its construction. Research in the adjacent area showed that it was part of a major villa complex.

Spy in the sky - an aerial view showing the rural location.

Spy in the sky – an aerial view showing the rural location.

The excavation identified a number of occupation phases beginning about 50 BC to 100 AD and represented by two loam-filled pits containing burnt flint. The proximity of a contemporary corn dryer suggests early-Roman agricultural activity, although no further settlement evidence was found in this area.

General view of the excavation - the scorching resulting from the underfloor heating is very evident.

General view of the excavation – the scorching resulting from the underfloor heating is very evident.

Another general view of work in progress

Another general view of work in progress

The second phase consisted of a simple square bathhouse of five rooms, two of which were served by a hypocaust under-floor heating.

Later, two further heated rooms and a small wing containing an ornate pool were added; the stokehole area was enclosed. The building was probably re-plastered and painted in this period and furnished with apses and opus signinum floors. Two of the seven rooms were laid out in similar fashion to those found at Sparsholt Roman villa, while a third seems to have been used as a smithy. The exact date of what turned out to be a thorough demolition is unknown.

The small, but ornate, plunge pool.

The small, but ornate, plunge pool, with drain in the foreground.

Finds were sparse and included two copper alloy brooches and a quantity of iron artefacts, including nails, which were possibly part of door fittings, or boot cleats. A small number of pottery finds were early 2nd century, among them being a piece of samian ware, while a much larger quantity was identified as being late 3rd, or early 4th century, and included examples of Oxford, New Forest and possibly Alice Holt wares.

Tiles with 'signatures' or tally marks.

Tiles with ‘signatures’ or tally marks.

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Of the building itself, the fragments of painted plaster were insufficient to reveal an overall pattern and the ceramic building material was of the standard variety,   although there were some intriguing ‘signatures’ and other marks.

 

Animal bone evidence provided the typical mix to be expected from a Roman rural site and the identifiable fragments were mostly of cattle and sheep or goat

Further reading:

Rogers & Walker, 1984, A Detached Bathouse at Braishfield, Hants Field Club Proceedings Vol 41, p 69-80

A1984.18 Archive held by Hampshire Cultural Trust

Series by Dave Allen, Sarah Gould, Lesley Johnson, Jane King, Peter Stone, with help from Stacie Elliot.

Rockbourne Roman Villa

It’s time for another tour and on today’s agenda is Rockbourne Roman Villa.

 

 

Video kindly made by Stacie Elliot